根据《嚣张》改编的青春校园剧《隅我同行》预计11月开机，爱奇艺和慈文传媒等出品，爱奇艺播出。

根据《嚣张》改编的青春校园剧《隅我同行》预计11月开机，爱奇艺和慈文传媒等出品，爱奇艺播出。

Netflix即将推出真人秀综艺《19/20》，这是一部充满青春气息的节目，聚焦19岁最后一周到20岁前一周这段时期，记录了尚显生疏、青涩的Z世代特别的成长瞬间。2023年1月1日，那些即将年满20岁的19岁青年们，他们的多彩魅力与成长过程，以及Z世代之间构建的有趣关系，都将在《19/20》中展现。节目确定了名称和MC阵容，预示着新综艺的诞生。 一群怀揣着各种梦想、各具魅力的年轻人，会在19岁的最后一周和同龄朋友共同度过一段特别时光。在新年迈向20岁之际，他们在“十九学校”完成成人礼，随后开启有意义的课程学习。《19/20》的主人公们尽管略显青涩，但从多方面看，已为长大成人做好准备。终于到了1月1日成年这天，他们从父母和老师那里获得了独立空间——“二十房子”，自此翻开崭新篇章，书写属于20岁的故事。故事从熟悉的学校起步，延伸至独立空间……

大學生USAMI光天化日之下被三個奇怪的後生仔綁架。原來綁匪只是興趣，沒有任何詐騙贖金的計劃，只威逼USAMI到處[HARE]，一時到超市搶食物，一時到動物園看馬駒，一時到海邊吹吹風，這就是他們的生活。出奇地，起初想逃走的USAMI漸漸適應這種生活。一天綁匪又有新物件，四人的關係在一個不可思議的情況下終結…… 　　 　　渡邊一志與山下敦弘一樣同出一系——都市無聊學系，俗稱[HARE]。

大學生USAMI光天化日之下被三個奇怪的後生仔綁架。原來綁匪只是興趣，沒有任何詐騙贖金的計劃，只威逼USAMI到處[HARE]，一時到超市搶食物，一時到動物園看馬駒，一時到海邊吹吹風，這就是他們的生活。出奇地，起初想逃走的USAMI漸漸適應這種生活。一天綁匪又有新物件，四人的關係在一個不可思議的情況下終結…… 　　 　　渡邊一志與山下敦弘一樣同出一系——都市無聊學系，俗稱[HARE]。

扎赫拉是生活在伊朗的一位单亲母亲，也是一名心理医生。她擅长帮助他人走出困境，可在现实中，她自己的生活却千疮百孔:青春期女儿的叛逆令她焦头烂额，房租高涨让她面临无家可归的风险……她不得不开始重新寻找居所。对她来说，找房子不仅是寻找栖身之所，更是寻找安心之源。

Hanqi and her friends drift through the suburban area of Hangzhou. Strolling through the concrete and neon-lit landscape of the city, they experience the transformations it undergoes daily. As they drift night after night, they become the living interface of a metamorphosis that cannot be perceived or understood if not by becoming part of it. Thus, Hanqi and her friends catch fleeting glimpses of beauty in an environment that most people would only perceive as alienating, hostile or cold. Like an ambient composition by Brian Eno or Philip Glass, the film moves through minimal variations, completely immersed in its nocturnal beat. Space becomes time. A film like a poem; a coming-of-age movie that escapes all the known clichés. Stephan Knauss proves that he is one of the filmmakers to watch closely in the next future. The way he handles and organizes all the elements of his extremely beguiling work are irrefutable proof for it. Transit Circle is a sensorial ambient film that displays flair and creativity.

扎赫拉是生活在伊朗的一位单亲母亲，也是一名心理医生。她擅长帮助他人走出困境，可在现实中，她自己的生活却千疮百孔:青春期女儿的叛逆令她焦头烂额，房租高涨让她面临无家可归的风险……她不得不开始重新寻找居所。对她来说，找房子不仅是寻找栖身之所，更是寻找安心之源。

Hanqi and her friends drift through the suburban area of Hangzhou. Strolling through the concrete and neon-lit landscape of the city, they experience the transformations it undergoes daily. As they drift night after night, they become the living interface of a metamorphosis that cannot be perceived or understood if not by becoming part of it. Thus, Hanqi and her friends catch fleeting glimpses of beauty in an environment that most people would only perceive as alienating, hostile or cold. Like an ambient composition by Brian Eno or Philip Glass, the film moves through minimal variations, completely immersed in its nocturnal beat. Space becomes time. A film like a poem; a coming-of-age movie that escapes all the known clichés. Stephan Knauss proves that he is one of the filmmakers to watch closely in the next future. The way he handles and organizes all the elements of his extremely beguiling work are irrefutable proof for it. Transit Circle is a sensorial ambient film that displays flair and creativity.

A resident of a suburban dystopia tries to reassemble his fragmented memories of life as a teen.